Guggenheim 2021, 2021
Guggenheim 2021, 2021

Mock New Yorker cover for editorial illustration course at RISD. The assignment was to create a modern, topical image in response to an old New Yorker cover. I was assigned a cover by Charles Elmer Martin from 1970 depicting the exterior of the Guggenheim Museum. My cover depicts the interior of an empty Guggenheim at the height of the pandemic.

New York Times Op-Ed
New York Times Op-Ed

Illustration for Sebastion Lai’s Essay, “ ‘Don’t Be Scared,’ My Father Said Before He Was Led Away in Hong Kong” for NYT Opinion, Oct 2023

New York Times Travel Section
New York Times Travel Section

Illustration for Amanda Becker’s article, “Where Women Learn to Hunt, Fish and Field-Dress a Deer, Among Women” for NYT Travel, Nov 2023

Vogue Business, March 2024
Vogue Business, March 2024

"The Oscars red carpet is about dealmaking, not fashion"

Illustration to accompany the March 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

New York Times Op-Ed
New York Times Op-Ed

Illustration for Stephen Gettinger’s Essay, “My Mom Had Alzheimer’s. Now I Do Too. But I Learned From Her Not to Despair.” for NYT Opinion, June 2024

Food Court Jjajangmyeon, 2020
Food Court Jjajangmyeon, 2020

Illustration of my regular order at the Korean supermarket food court that I grew up eating at.

NYT Book Review, 2024
NYT Book Review, 2024

Illustration for The New York Times Book Review section: “Can a Marriage Survive a Summer Holiday With the In-Laws?” by Alexandra Kleeman

Review of “Rental House” by Weike Wang

New York Times Op-Ed
New York Times Op-Ed

Illustration for Esau McCaulley Essay, “Why Arguing Is My Cherished Holiday Tradition” for NYT Opinion, Dec 2023

URCHIN, 2021
URCHIN, 2021
Barron's
Barron's

Illustration to accompany Barron’s article “King Cash Is Being Dethroned. What to Buy Now” by Lauren Foster, published February 07 2024

The Abolitionist's Field Guide, MOLD Magazine, 2024
The Abolitionist's Field Guide, MOLD Magazine, 2024

Illustration to accompany this interview with Jackie Sumell by Aisha Shillingford in a 2024 essay series by MOLD Magazine.

Vogue Business, August 2024
Vogue Business, August 2024

“Why won’t anyone sponsor a NYFW bus?”

Illustration to accompany the August 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Vogue Business, April 2024
Vogue Business, April 2024

“Retail needs to enter its less-is-more era”

Illustration to accompany the April 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Summer at Dusk, 2023
Summer at Dusk, 2023
On the Phone (2/2)
On the Phone (2/2)

A comic inspired by walks around Brooklyn

On the Phone (1/2)
On the Phone (1/2)

Comic inspired by walks around Brooklyn

Vogue Business, June 2024
Vogue Business, June 2024

“Show me the ingredients: The story behind fashion’s first nutrition label”

Illustration to accompany the June 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Reflecting, 2020
Reflecting, 2020

Watercolor painting as an attempt to visualize how I was feeling in the midst of pandemic quarantine in 2020.

The Abolitionist's Artist Way, MOLD Magazine, 2024
The Abolitionist's Artist Way, MOLD Magazine, 2024

Illustration to accompany this interview with Recess arts organization by LinYee Yuan in a 2024 essay series by MOLD Magazine.

Lunch Break, 2021
Lunch Break, 2021
Self-Isolated Self Portrait, 2020
Self-Isolated Self Portrait, 2020
It's Time to Compost the Prison Plantation, MOLD Magazine, 2024
It's Time to Compost the Prison Plantation, MOLD Magazine, 2024

Illustration to accompany Joshua Sbicca and Carrie Chenault's essay in a 2024 essay series by MOLD Magazine.

For MOLD Magazine, "Farming For Survival Behind Bars" by Joshua Sbicca
For MOLD Magazine, "Farming For Survival Behind Bars" by Joshua Sbicca

Illustration to accompany this interview with Lawrence Jenkins, written by Joshua Sbicca, in a 2024 essay series by MOLD Magazine.

SummerThunderstorm.jpg
For MOLD Magazine, "An Agricultural History of Cop City" by Ashanté Reese
For MOLD Magazine, "An Agricultural History of Cop City" by Ashanté Reese

Illustration to accompany this essay by Ashanté Reese in a 2024 essay series by MOLD Magazine.

Vogue Business, October 2024
Vogue Business, October 2024

“Off-White and the plight of sold-for-parts brands”

Illustration to accompany the October 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Miss Me, 2022
Miss Me, 2022

Cover art for Strawberry Generation’s 2022 single, “Miss Me”

Bottle Rocket, 2021
Bottle Rocket, 2021

Illustration of a scene from one of my favorite movies, Wes Anderson’s 1996 film, Bottle Rocket. I attempted to capture an entire scene of dialogue in one image. This scene depicts a fight between Dignan and Anthony, played by Owen and Luke Wilson.

Endless Summer, 2021
Endless Summer, 2021
Vineyard, 2022
Vineyard, 2022
Dummi, 2020
Dummi, 2020

Cover art for 32Moons 2020 single, “Dummi”

Parkside Carnitas
Parkside Carnitas

Part of an illustration series about food memories with family. This was based on tacos I had with my brother outside Parkside Ave Station in Brooklyn.

Foodland Pupukea
Foodland Pupukea

Part of an illustration series about food memories with family. Based on a grocery store takeout breakfast I shared with family on a visit to Oahu.

The Creation of Saturn, 2021
The Creation of Saturn, 2021
Fake Movie Posters, 2020
Fake Movie Posters, 2020

Two mock posters for two of my favorite movies: Minari (2020) directed by Lee Isaac Chung and La Jetée (1962) directed by Chris Marker.

Strawberry Fields, 2021
Strawberry Fields, 2021

RISD Class assignment from 2021: Mock alternate illustration for New Yorker piece “How Driscoll’s Reinvented the Strawberry” by Dana Goodyear

Party On, 2021
Party On, 2021
Daylight Savings, 2021
Daylight Savings, 2021
K-Town Blues, 2018
K-Town Blues, 2018

This series was done after visiting family in LA Koreatown, as an exercise in combining photography and illustration.

(Photoshop brushes used: Tonko House Brush Set)

K-Town Blues, 2018
K-Town Blues, 2018

This series was done after visiting family in LA Koreatown, as an exercise in combining photography and illustration.

(Photoshop brushes used: Tonko House Brush Set)

Guggenheim 2021, 2021
New York Times Op-Ed
New York Times Travel Section
Vogue Business, March 2024
New York Times Op-Ed
Food Court Jjajangmyeon, 2020
NYT Book Review, 2024
New York Times Op-Ed
URCHIN, 2021
Barron's
The Abolitionist's Field Guide, MOLD Magazine, 2024
Vogue Business, August 2024
Vogue Business, April 2024
Summer at Dusk, 2023
On the Phone (2/2)
On the Phone (1/2)
Vogue Business, June 2024
Reflecting, 2020
The Abolitionist's Artist Way, MOLD Magazine, 2024
Lunch Break, 2021
Self-Isolated Self Portrait, 2020
It's Time to Compost the Prison Plantation, MOLD Magazine, 2024
For MOLD Magazine, "Farming For Survival Behind Bars" by Joshua Sbicca
SummerThunderstorm.jpg
For MOLD Magazine, "An Agricultural History of Cop City" by Ashanté Reese
Vogue Business, October 2024
Miss Me, 2022
Bottle Rocket, 2021
Endless Summer, 2021
Vineyard, 2022
Dummi, 2020
Parkside Carnitas
Foodland Pupukea
The Creation of Saturn, 2021
Fake Movie Posters, 2020
Strawberry Fields, 2021
Party On, 2021
Daylight Savings, 2021
K-Town Blues, 2018
K-Town Blues, 2018
Guggenheim 2021, 2021

Mock New Yorker cover for editorial illustration course at RISD. The assignment was to create a modern, topical image in response to an old New Yorker cover. I was assigned a cover by Charles Elmer Martin from 1970 depicting the exterior of the Guggenheim Museum. My cover depicts the interior of an empty Guggenheim at the height of the pandemic.

New York Times Op-Ed

Illustration for Sebastion Lai’s Essay, “ ‘Don’t Be Scared,’ My Father Said Before He Was Led Away in Hong Kong” for NYT Opinion, Oct 2023

New York Times Travel Section

Illustration for Amanda Becker’s article, “Where Women Learn to Hunt, Fish and Field-Dress a Deer, Among Women” for NYT Travel, Nov 2023

Vogue Business, March 2024

"The Oscars red carpet is about dealmaking, not fashion"

Illustration to accompany the March 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

New York Times Op-Ed

Illustration for Stephen Gettinger’s Essay, “My Mom Had Alzheimer’s. Now I Do Too. But I Learned From Her Not to Despair.” for NYT Opinion, June 2024

Food Court Jjajangmyeon, 2020

Illustration of my regular order at the Korean supermarket food court that I grew up eating at.

NYT Book Review, 2024

Illustration for The New York Times Book Review section: “Can a Marriage Survive a Summer Holiday With the In-Laws?” by Alexandra Kleeman

Review of “Rental House” by Weike Wang

New York Times Op-Ed

Illustration for Esau McCaulley Essay, “Why Arguing Is My Cherished Holiday Tradition” for NYT Opinion, Dec 2023

URCHIN, 2021
Barron's

Illustration to accompany Barron’s article “King Cash Is Being Dethroned. What to Buy Now” by Lauren Foster, published February 07 2024

The Abolitionist's Field Guide, MOLD Magazine, 2024

Illustration to accompany this interview with Jackie Sumell by Aisha Shillingford in a 2024 essay series by MOLD Magazine.

Vogue Business, August 2024

“Why won’t anyone sponsor a NYFW bus?”

Illustration to accompany the August 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Vogue Business, April 2024

“Retail needs to enter its less-is-more era”

Illustration to accompany the April 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Summer at Dusk, 2023
On the Phone (2/2)

A comic inspired by walks around Brooklyn

On the Phone (1/2)

Comic inspired by walks around Brooklyn

Vogue Business, June 2024

“Show me the ingredients: The story behind fashion’s first nutrition label”

Illustration to accompany the June 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Reflecting, 2020

Watercolor painting as an attempt to visualize how I was feeling in the midst of pandemic quarantine in 2020.

The Abolitionist's Artist Way, MOLD Magazine, 2024

Illustration to accompany this interview with Recess arts organization by LinYee Yuan in a 2024 essay series by MOLD Magazine.

Lunch Break, 2021
Self-Isolated Self Portrait, 2020
It's Time to Compost the Prison Plantation, MOLD Magazine, 2024

Illustration to accompany Joshua Sbicca and Carrie Chenault's essay in a 2024 essay series by MOLD Magazine.

For MOLD Magazine, "Farming For Survival Behind Bars" by Joshua Sbicca

Illustration to accompany this interview with Lawrence Jenkins, written by Joshua Sbicca, in a 2024 essay series by MOLD Magazine.

For MOLD Magazine, "An Agricultural History of Cop City" by Ashanté Reese

Illustration to accompany this essay by Ashanté Reese in a 2024 essay series by MOLD Magazine.

Vogue Business, October 2024

“Off-White and the plight of sold-for-parts brands”

Illustration to accompany the October 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Miss Me, 2022

Cover art for Strawberry Generation’s 2022 single, “Miss Me”

Bottle Rocket, 2021

Illustration of a scene from one of my favorite movies, Wes Anderson’s 1996 film, Bottle Rocket. I attempted to capture an entire scene of dialogue in one image. This scene depicts a fight between Dignan and Anthony, played by Owen and Luke Wilson.

Endless Summer, 2021
Vineyard, 2022
Dummi, 2020

Cover art for 32Moons 2020 single, “Dummi”

Parkside Carnitas

Part of an illustration series about food memories with family. This was based on tacos I had with my brother outside Parkside Ave Station in Brooklyn.

Foodland Pupukea

Part of an illustration series about food memories with family. Based on a grocery store takeout breakfast I shared with family on a visit to Oahu.

The Creation of Saturn, 2021
Fake Movie Posters, 2020

Two mock posters for two of my favorite movies: Minari (2020) directed by Lee Isaac Chung and La Jetée (1962) directed by Chris Marker.

Strawberry Fields, 2021

RISD Class assignment from 2021: Mock alternate illustration for New Yorker piece “How Driscoll’s Reinvented the Strawberry” by Dana Goodyear

Party On, 2021
Daylight Savings, 2021
K-Town Blues, 2018

This series was done after visiting family in LA Koreatown, as an exercise in combining photography and illustration.

(Photoshop brushes used: Tonko House Brush Set)

K-Town Blues, 2018

This series was done after visiting family in LA Koreatown, as an exercise in combining photography and illustration.

(Photoshop brushes used: Tonko House Brush Set)

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