Lost Walk Home, 2023

New York Times Op-Ed
Illustration for Stephen Gettinger’s Essay, “My Mom Had Alzheimer’s. Now I Do Too. But I Learned From Her Not to Despair.” for NYT Opinion, June 2024

New York Times Op-Ed
Illustration for Sebastion Lai’s Essay, “ ‘Don’t Be Scared,’ My Father Said Before He Was Led Away in Hong Kong” for NYT Opinion, Oct 2023

New York Times Travel Section
Illustration for Amanda Becker’s article, “Where Women Learn to Hunt, Fish and Field-Dress a Deer, Among Women” for NYT Travel, Nov 2023

Lunch Break, 2021

Summer at Dusk, 2023

NYT Book Review, 2024
Illustration for The New York Times Book Review section: “Can a Marriage Survive a Summer Holiday With the In-Laws?” by Alexandra Kleeman

Review of “Rental House” by Weike Wang

Vogue Business, March 2024
"The Oscars red carpet is about dealmaking, not fashion"

Illustration to accompany the March 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Endless Summer, 2021

The Abolitionist's Artist Way, MOLD Magazine, 2024
Illustration to accompany this interview with Recess arts organization by LinYee Yuan in a 2024 essay series by MOLD Magazine.

The Abolitionist's Field Guide, MOLD Magazine, 2024
Illustration to accompany this interview with Jackie Sumell by Aisha Shillingford in a 2024 essay series by MOLD Magazine.

URCHIN, 2021

New York Times Op-Ed
Illustration for Esau McCaulley Essay, “Why Arguing Is My Cherished Holiday Tradition” for NYT Opinion, Dec 2023

Vogue Business, December 2024
“‘Pink tariffs’ plague US fashion”

Illustration to accompany the December 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Afternoon Thunderstorm, 2023

Guggenheim 2021, 2021
Mock New Yorker cover for editorial illustration course at RISD. The assignment was to create a modern, topical image in response to an old New Yorker cover. I was assigned a cover by Charles Elmer Martin from 1970 depicting the exterior of the Guggenheim Museum. My cover depicts the interior of an empty Guggenheim at the height of the pandemic.

Bottle Rocket, 2021
Illustration of a scene from one of my favorite movies, Wes Anderson’s 1996 film, Bottle Rocket. I attempted to capture an entire scene of dialogue in one image. This scene depicts a fight between Dignan and Anthony, played by Owen and Luke Wilson.

Vogue Business, August 2024
“Why won’t anyone sponsor a NYFW bus?”

Illustration to accompany the August 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Bike Ride, 2023

Food Court Jjajangmyeon, 2020
Illustration of my regular order at the Korean supermarket food court that I grew up eating at.

Vineyard, 2022

Barron's
Illustration to accompany Barron’s article “King Cash Is Being Dethroned. What to Buy Now” by Lauren Foster, published February 07 2024

Miss Me, 2022
Cover art for Strawberry Generation’s 2022 single, “Miss Me”

For MOLD Magazine, "An Agricultural History of Cop City" by Ashanté Reese

Illustration to accompany this essay by Ashanté Reese in a 2024 essay series by MOLD Magazine.

For MOLD Magazine, "Farming For Survival Behind Bars" by Joshua Sbicca

Illustration to accompany this interview with Lawrence Jenkins, written by Joshua Sbicca, in a 2024 essay series by MOLD Magazine.

Vogue Business, June 2024
“Show me the ingredients: The story behind fashion’s first nutrition label”

Illustration to accompany the June 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Vogue Business, April 2024
“Retail needs to enter its less-is-more era”

Illustration to accompany the April 2024 column for “The American Thread”, a monthly fashion column by Christina Binkley for Vogue Business.

Fake Movie Posters, 2020
Two mock posters for two of my favorite movies: Minari (2020) directed by Lee Isaac Chung and La Jetée (1962) directed by Chris Marker.